Mit einem Erfahrungsschatz aus 5 Jahrzehnten Symphonic Line hat Rolf Gemein längst seine Klang-Signatur gefunden
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„Drum prüfe, wer sich ewig bindet ...“ heißt es in Schillers Glocke. In der High Fidelity stellte sich eine solche Frage bisher nicht. In der Regel ging man zum Händler und tauschte Geld gegen Ware.
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Ausstattungsliste: Ayre EX-8
| Features | |
| zero-feedback, fully-balanced discrete circuitry | |
| Ayre’s Asynchronous S/PDIF input | |
| ESS ES9038Q2M DAC chip | |
| Ayre custom digital clock | |
| Ayre’s Minimum Phase digital filter | |
| Single-pass 16x oversampling | |
| Ayre’s Double Diamond output stage | |
| Ayre’s exclusive Equilock gain stage | |
| Analog volume control | |
| Linear analog power supply | |
| High-speed circuit board material | |
| Up to six digital inputs: Ethernet, Asynchronous USB, AES/EBU, S/PDIF, Optical (2) | |
| AyreLink communication system | |
| Audio Inputs | |
| USB | 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz PCM 16, 20, 24 bits DSD64 and DSD128 (as DoP) |
| Optical/SPDIF/AESEBU | 44.1, 48, 88.2, 96, 176.4, 192 kHz PCM 16, 20, 24 bits DSD64 (as DoP) |
| Network | 44.1, 48, 88.2, 96, 176.4, 192 kHz PCM 16, 20, 24 bits DSD64 (as DoP) |
| Analog | 1 Balanced XLR, 2 Single-ended RCA |
| Outputs | |
| Speaker Output | 100 watts per channel continuous into 8 ohms |
| Line Output | 4.5 Vrms balanced, 2.25 Vrms single-ended |
| Headphone Output | 4.0 Vrms balanced, 2.0 Vrms single-ended |
| XLR Input Polarity | Pin 1 = Ground |
| Pin 2 = Non-inverting (Positive) | |
| Pin 3 = Inverting (Negative) | |
| Power Consumption | 60 watts in operating mode |
| Dimensions | 17.25″ W x 13.00″ D x 3.75″ H (44cm x 33cm x 11cm) |
| Weight | 24 pounds (11 kg) |
|
34-1185
LINE High-Fidelity |



